Joseph Beuys

He was born in Kerfeld. AS he grew up he became into aircraft and was in the military in aircraft radio operator in 1941. This is the time when he noticed he really wanted to be an artist. But in 1942 he became a member of comabt bombing units. He was a dive bomber and his paintings from that era are kept preserved to show his artist style then. When he got resued back to health this is what he had to say. Felt Metaphors
 “Had it not been for the Tartars I would not be alive today. They were the nomads of the Crimea, in what was then no man’s land between the Russian and German fronts, and favoured neither side. I had already struck up a good relationship with them, and often wandered off to sit with them. ‘Du nix njemcky’ they would say, ‘du Tartar,’ and try to persuade me to join their clan. Their nomadic ways attracted me of course, although by that time their movements had been restricted. Yet it was they who discovered me in the snow after the crash, when the German search parties had given up. I was still unconscious then and only came round completely after twelve days or so, and by then I was back in a German field hospital. So the memories I have of that time are images that penetrated my consciousness. The last thing I remember was that it was too late to jump, too late for the parachutes to open. That must have been a couple of seconds before hitting the ground. Luckily I was not strapped in – I always preferred free movement to safety belts… My friend was strapped in and he was atomized on impact – there was almost nothing to be found of him afterwards. But I must have shot through the windscreen as it flew back at the same speed as the plane hit the ground and that saved me, though I had bad skull and jaw injuries. Then the tail flipped over and I was completely buried in the snow. That’s how the Tartars found me days later. I remember voices saying ‘Voda’ (Water), then the felt of their tents, and the dense pungent smell of cheese, fat and milk. They covered my body in fat to help it regenerate warmth, and wrapped it in felt as an insulator to keep warmth in.”
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After a while he was convinced by a fellow artist to be a full time artist. He joined the Kleve Artists Association that had been established by Brüx and Lamers. He graduated at 32 years old with a masters. He beagan by doing gravestones and several pieces of furniture. Thenhe went on to teaching philosophy. advocated taking art outside of the boundaries of the (art) system and to open it up to multiple possibilities bringing creativity into all areas of life. His nontraditional and anti-establishment pedagogical practice and philosophy made him the focus of much controversy and in order to battle the policy of “restricted entry” under which only a few  to his belief those who have something to teach and those who have something to learn should come together.

“I don’t use shamanism to refer to death, but vice versa – through shamanism, I refer to the fatal character of the times we live in. But at the same time I also point out that the fatal character of the present can be overcome in the future.”

HE then dies in January23, 1986.
Beuys' extensive body of work principally comprises four domains: works of art in a traditional sense (painting, drawing, sculpture and installations), performance, contributions to the theory of art and academic teaching, and social- and political activities.

Homogeneous Infiltration for Piano, at the Pompidou Paris.